Queer Film: BPM (Beats Per Minute)

France's submission for Best Foreign Language Film at the Oscars, BPM (Beats Per Minute) takes an unflinching look at ACT UP Paris in the early years of the AIDS epidemic, and we get the first American trailer today.

Clip description:

In Paris in the early 1990s, a group of activists goes to battle for those stricken with HIV/AIDS, taking on sluggish government agencies and major pharmaceutical companies in bold, invasive actions. The organization is ACT UP, and its members, many of them gay and HIV-positive, embrace their mission with a literal life-or-death urgency.

Amid rallies, protests, fierce debates and ecstatic dance parties, the newcomer Nathan falls in love with Sean, the group’s radical firebrand, and their passion sparks against the shadow of mortality as the activists fight for a breakthrough.

Variety raved about the film:

What does it take to fight a pandemic? Knowledge, courage and resilience, certainly, but also rough-and-tumble argument, a range of friendships both consoling and abrasive, a healthy sense of gallows humor and soul-sustaining supplies of loud music and louder sex.

French writer-director Robin Campillo understands all of this in “BPM (Beats Per Minute),” his sprawling, thrilling, finally heart-bursting group portrait of Parisian AIDS activists in the early 1990s. A rare and invaluable non-American view of the global health crisis that decimated, among others, the gay community in the looming shadow of the 21st century, Campillo’s unabashedly untidy film stands as a hot-blooded counter to the more polite strain of political engagement present in such prestige AIDS dramas as “Philadelphia” and “Dallas Buyers Club.”

Candidly queer in its perspective and unafraid of eroticism in the face of tragedy, this robust Cannes competition entry is nonetheless emotionally immediate enough to break out of the LGBT niche.

Watch the trailer below.