Broadway-bound Kinky Boots opens in Chicago

Kinky Boots, the new musical by Cyndi Lauper & Harvey Fierstein, opened last night at the Bank of America Theatre in Chicago.

Directed and choreographed by Tony Award winner Jerry Mitchell, the show appears to be headed in the right direction as Chicago gives the creators the opportunity to fine tune the piece.

A couple of the reviews from opening night:

Hedy Weiss, Sun-Times: While no one would mistake this new musical, which celebrated its pre-Broadway opening Wednesday night at Chicago’s Bank of America Theatre, as groundbreaking in any way, it is an ideally crafted, altogether feel-good show — something of a “La Cage aux Folles” for the recession-plagued, anti-bullying, “it WILL get better” generation. And its solid if predictable storytelling (Harvey Fierstein’s take on the popular little British film comedy of 2005), its accomplished and varied score (an impressive first Broadway effort by Cyndi Lauper, that petite paragon of pop, who has penned several numbers that are sure to become keepers), its conveyor belt-smooth flow (courtesy of director-choreographer Jerry Mitchell), and its strong, winningly genuine cast, all conjoin to make it an engaging entertainment.

Michael Roberts, Showbiz Chicago: Kinky Boots has something unique going for it that will add to its success; that is Billy Porter...I would venture to say that Kinky Boots will do for Mr. Porter what Hello, Dolly did for Carol Channing, Funny Girl for Streisand; Phantom for Michael Crawford and Evita for Patti LuPone. This is will become a show and role that will be forever synonymous with Mr. Porter, and rightfully so...Alongside Mr. Porter is the equally engaging Stark Sands as Charlie Price. Though his character could stand a little more development in the second act, Sands has remarkable stage presence and chemistry with his co-star…The book for Kinky Boots is classic Harvey Fierstein, who always has the innate ability to create an environment where his characters can be bigger than life one minute, then intensely internal the next…The material at hand is perfect fodder for [Jerry] Mitchell to develop the environment to allow his actors to find their truth…A musical would be nothing without the music, and for this, Cyndi Lauper is a revelation...Not since Rent has there been a musical that is poised to have at least three numbers cross over to the pop charts.

Pictures via Broadway.com